Suitable Candidates![]() |
![]() After doing the base paint whether it's a simple GITD spray or something more elaborate you need to get some matte black acrylic paint and use that on the eyes, nose, between the teeth, and to do some shading. How far you go is up to you but this makes a huge difference in how striking the final prop is so Don't skip this step! I use Black 3.0 from Culture Hustle for these spirits. The originals used Black 2.0. That's a pretty high end solution as it's touted as the closest line of blacks you can get to vanta black, but for me it's worth it and the black paint outlived the plastic skulls it was painted on. Even if you use cheaper stuff this really is critical for the final look.
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Another Hole in Your Head![]() Depending on the skull that you have and how thick the plastic is you may want to make a starter hole with either a Dremel or a pin vise. I usually just wing it and poke it through myself. If you do drill a hole, make sure that it’s not too big you want to just barely accommodate the needle otherwise it can suck the fabric into the top of the skull awkwardly when you are tying it off.
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Soft Bits![]() You want to cut your veil pieces which are the ones that are gonna go on the top of the skull my tulle is 56 inches wide and so I’m doing roughly a 56 x 56 square there is absolutely no reason to be precious about cutting your tulle here because you’re going to be tattering it anyway. Because of this I measure it roughly then bunch it up and hack it off. A rough edge will only enhance the final look. I only do 2 layers for the veil because I want to be able to still see detail on the skull underneath. Once your two veil pieces are cut lay them down and put one at a 45° (figure 2) angle on top of the other so that they’re staggered then grab roughly in the centre. Again, no need to be precious about it, being in the exact center is not required. Where you pinch it is where you are going to start sewing this together.
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![]() Thread the big needle with white upholstry thread for strength. From the centrepoint that you pinch on your veil. I tie a little black ring like a soldered closed jump ring something at the very end of the thread to anchor the stitch down which will also keep it from getting sucked down into the top hole of the scalp. The ring is also great for hanging the finished prop from. I use black because I hang these with black 20 pound or higher fishing line. Now possibly the most frustrating part of this you have to get the needle that’s coming in from the top to all the way through to the hole in the bottom it can take several tries could be very fiddly, this is the part that is going to have you swearing. I find if I put my finger over the hole at the bottom and very very carefully aim the needle down towards my finger I get it through the hole first time pretty much every time, but I do a lot of stuff like this and you will have to be careful not to skewer yourself if you use this method.
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![]() Now, sew the tail to to the skull from where you brought the needle through the hole with a few passes through the knot in the tail. Keep the thread going through the skull tight but not strained so the black ring on top is against the skull with no slack. Now more of the fun part, go back up through the skull again to go through the top hole. If you just can't get it to go back through the top hole you can tie it off at the bottom but it won't be as strong. Either way, tie it securly.
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In Shreds![]() I start the tatters for both the veil and the tail a couple of inches beneath where the tail attaches to the skull (figure 5) because you don’t want it tattered over spirit’s face you want it to be solid there. As you tatter, pull on it and rip it a little. The idea is to make the very bottom part very wispy.
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And that’s pretty much it! I find that these actually look better the more years they get used because the tulle just kind of gets more clumpy but stays ethereal looking which is what you’re wanting to go for.
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Care & Feeding![]() |